| In Heavenly Love Abiding |
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An arrangement of the hymn with some new melody added. The tune is
slowed with the original melody providing the accompaniment. The words
are very moving and are given the opportunity to be heard in a fresh way
with this piece. | |
| Love |
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The last of Mary Baker Eddy’s solos that the composer wrote (with the
exception of the second version of “Satisfied”) and it is perhaps her favorite.
A beautiful beginning melody that “soars and sings” and a strong
middle section allow the vocalist to present these loving and powerful
words in a wonderful way. | |
| The Lords Prayer: Spiritual Interpretation by Mary Baker Eddy |
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This is a bold and unusual setting of Mary Baker Eddy’s Spiritual
Interpretation of The Lord’s Prayer. The original Lord’s Prayer is included in
the text for reference but is not sung in this arrangement. | |
| Why Search the Future and the Past |
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A fun and fast moving rendition of the words from the hymn with a new
melody. Although the accompaniment looks complicated it is not, once the
rhythm is understood. Originally written with guitar accompaniment and
should be sung with a light, although strong, feeling. | |
| Arise Shine |
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Words from the Bible. Music by Katrina Wylie. Copyright 1999. A highly rhythmic beginning gives way to softer and very legato larger portion of the solo ending with a gentle, as if it is already done, command of Arise, arise shine. | |
| Be Ye Therefore Perfect |
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Words from the Bible. Music by Katrina Wylie. Copyright 1999. Written with a baroque piece in mind but modern sounding. It has a powerful melody accompanied by a steady bass line in the accompaniment. | |
| Christmas Morn |
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| This new solo setting of Mary Baker Eddy's beautiful Christmas poem has a
sweetness and a simplicity that speaks directly to the heart. Set in the style
of a Christmas carol. | |
| Communion Hymn |
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| Katrina brings a beautiful setting of the beloved poem and hymn by Mary
Baker Eddy. Available in high voice with other versions soon to come. | |
| Doth Not Wisdom Cry |
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Words from the Bible. Music by Johann Sebastian Bach. Arrangement by Katrina Wylie Copyright 1998. Based on the piece “Arioso in G” by Bach. Some very demanding notes for the voice but alternate lower melody notes are provided. | |
| Every Good Gift |
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Words from the Bible. Music by Katrina Wylie. Copyright 2005. A contemporary and melodic solo that’s easy to sing and play. | |
| Except the Lord Build the House |
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Words from the Bible. Music by Katrina Wylie. Copyright 1998. A dramatic rendition of the words, good for a large voice. More narrative than melodic but with some melody throughout. The words from the bible are placed in a different order for dramatic effect; the house built on the rock comes after the house built on sand. | |
| Faith |
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Words from the Bible. Music by Katrina Wylie. Copyright 1999. A lush and powerful biblical story solo starting with Jesus calming the storm and moving through some of his sayings to illustrate the message of faith. A good solo for a large voice although there are also plenty of quiet and peaceful passages. | |
| Feed My Sheep |
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A wonderful and uplifting melody soars above a repetitive, fast moving,
though not difficult, accompaniment. A solo that is enjoyable to sing,
perform and listen to. | |
| God is Love |
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Words and music by Katrina Wylie. Copyright 2005. Written simply, a prayer like delivery in mind. With this solo the words and music came to the composer shortly after the events of 9/11. | |
| Lead Me in Thy Truth |
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Words from the Bible. Music by Katrina Wylie. Copyright 1998. Almost like a folk song with a lilting beat but with a more modern and classical feel in the middle section which then modulates to return to original lilting feel of the beginning. This is a fun solo to sing. | |
| Our God Is Love |
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| An arrangement, with additional new melody, of the traditional hymn tune
Kingsfold. It has a choir like arrangement with the hymn as the
accompaniment throughout the song with the voice singing different
melodies around the original tune. Ends strongly on the phrase “Our God is
Love and can we ask for more?” | |
| Satisfied |
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| A strong, rhythmic, and confident beat moves this solo along, with a
meditative and quieter middle section. It works well whether sung very
strongly or in a more reserved manner. | |
| Teach Me O Lord |
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Words from the Bible. Music by Katrina Wylie. Copyright 1999. A larger solo with four distinct musical sections. The main emphasis is on the text 'Thou shalt have no other Gods before me.' | |
| Thanks Be Unto God |
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Words and music by Katrina Wylie. Copyright 2005. | |
| The 23rd Psalm |
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Words from the Bible. Music by Katrina Wylie. Copyright 1998. Although minor in the beginning and end this setting is not a sad feeling solo. It should be expressed as strong, confident and assured. | |
| The 24th Psalm |
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Words from the Bible. Music by Katrina Wylie. Copyright 1999. A straightforward presentation of the words. This is the composer’s first solo and was written as a Christmas gift to her father while she was in college. | |
| The Lord's Prayer |
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Words from the Bible. Music by Katrina Wylie. Copyright 1999. A light opening melody starts, then the piece adopts a more musically conservative style. | |